HD Video

Like Sands Through the Hourglass, So Are Days of Our Lives

Public Description: 

In this site-specific video work by artist Matthew Harris, the viewer will encounter surveillance footage of a cartoonish apparition interacting with the Bundoora Homestead mansion and its surrounds. The artist embodies a jumbled amorphous persona, making use of the site’s extensive Indigenous, equine and psychiatric history as they engage with the space.

Matthew Harris is an emerging artist who was born in Wangaratta in 1991. In primary school he won a plastic trophy for photographs. Matthew has exhibited at Wangaratta Art Gallery, BLINDSIDE, Strange Neighbour and the Centre for Contemporary Photography. In 2017 he exhibited with Neon Parc at the ‘Spring 1883’ Art Fair and had a solo show ‘Cream dreams’ at Alaska Projects in Sydney. Matthew lives and works in Melbourne. He likes flowers and long romantic walks by the sea at sunset.

The Blaktism

Public Description: 

The Blaktism is a satirical video work about the artist's experience obtaining her 'Certificate of Aboriginality' and the overwhelming sense of doubt experienced at the thought of being legitimately certified at 30 years of age. The video presents a baptism-like sacred ceremony whereby a young Quandamooka woman receives the rite to her authentic Aboriginality permitted by everyday Australians. This work translates issues of citizenship, power, prejudice and interrogates the issue of cultural authority in 21st century Australian political and cultural landscape.

Megan Cope is known for her paintings, video work, sculptural installations and site-specific commissions. A Quandamooka woman from North Stradbroke Island, Queensland, her work explores the intricate relationship between environment, geography and identity. Cope’s work has been exhibited in Australia and internationally including at Queensland Art Gallery/Gallery of Modern Art; Cairns Regional Art Gallery; Koori Heritage Trust, Melbourne; City Gallery, Wellington, New Zealand; Careof Art Space, Milan; and the Australian Embassy, Washington. Cope most recently exhibited in ‘Unfinished Business: Perspectives on Art and Feminism’ at ACCA. Cope is a member of Aboriginal art collective proppaNOW.