In Rabbit Progress, Peter Waples-Crowe presents the ever multiplying rabbit as a symbol of European colonisation, and highlights the absurdity of the unintended consequences of the introduction of these extremely prolific creatures that was catastrophic for the natural environment. Recognised as a critical agricultural threat, a rabbit proof fence was constructed at the turn of the 20th century to keep Western Australian pastoral areas free of the devastation caused by crop damage and soil erosion. Later drastic biological measures, including the use of myxomatosis in the 1950s and Rabbit Haemorrhage Disease (RHD) in the 1990s, were used in a semi-successful attempt to control burgeoning rabbit numbers. The long lasting effects of the original folly are the constant dangers posed by the wild rabbit population to Australia’s ecology. In contrast, the didgeridoo player featured in the artwork represents traditional Aboriginal culture in harmony with the land.
Peter Waples-Crowe is a descendent of the Wiradjuri and Ngarigo nations. He is a multi-disciplinary artist whose practice examines identity, race and culture. His primary interests are the exploration of Indigeneity, dislocation, globalisation, popular culture and subculture. Using various techniques such as cut and paste appropriations and mixed media applications, his work is influenced variously by politics, sexuality, adoption, traditional Indigenous cultures, street art and humour.. Waples-Crowe has twice won the Victorian Indigenous Art award for works on paper (2013 & 2014).
Rabbit Progress © Peter Waples-Crowe