In Preston Market, Saturday late, Mary Hammond captures the hustle and bustle of the end of week trading at Preston Market. The diversity of Darebin’s citizenry is shown almost as a group portrait; a chaotic scene of shoppers milling round with bags of varying size and colour as they hurry to get the best bargains of the day.
Mary Hammond is a social observer. She depicts the lives of ordinary people going about their everyday tasks. Themes of feminism and social justice pervade her work. She is fascinated by the role of women caring for their families and shopping is a major theme. Hammond’s eye for detail is intimate and personal; she sketches and paints real people enabling us to examine, with compassion, the community in which we live.
Hammond’s artwork is held in private and public collections including the Australian War Memorial, State Library of Victoria and Artbank.
Preston Market, Saturday late © Mary Hammond
In Krampus Wreath, Paul Compton portrays the infamous folklore figure, Krampus, in the middle of a traditional Christmas wreath. Centred amidst the customary decorations of holly, ivy, bells, balls, trumpets, candy canes and stockings is the hairy half-beast, half-demon complete with horns, long pointed tongue and piercing black eyes. Legend claims at Christmas time Krampus takes the presents of naughty children as punishment for their misdeeds and keeps them for himself.
Compton’s art practice comprises drawing, book and zine making, and creating objects and animations. His work pursues an ongoing interest in vignettes, the uncanny, animism, outsiders and all things Victorian. Compton has shown his work in a number of solo exhibitions and participated in numerous group shows around Melbourne. His work is held in public and private collections in Australia, the UK and USA.
Krampus Wreath © Paul Compton
Trevor ‘Turbo’ Brown loves animals and has created a body of work entirely based around them. This large painting shows two big wombats and one smaller one, standing outside their dark burrow. They are surrounded by a border of white clouds in a blue sky. 'Turbo''s work may seem naïve with its simple forms, but there is a great energy and skill in his use of composition, colour and line. He uses bright colours and bold outlines, painting quickly with unmixed acrylic paint. The painting is a public favourite within the City of Darebin, and has often hung in public spaces including Darebin Libraries and Bundoora Homestead Art Centre.
Living rough on the Mildura streets and the Murray River bank, 'Turbo' has said that animals were his only friends. He was adopted by Herb Patten and his wife, Aunty Bunta and moved to Melbourne where he took up boxing and became a keen rapper and breakdancer. Uncle Herb and Aunty Bunta enrolled in a diploma of visual arts at the Bundoora RMIT campus and took 'Turbo' along. There he began to paint. It soon became apparent that he had a talent for expressing on canvas the stories and images from his mind.
'Turbo' holds a Diploma of Arts (Visual Arts) from RMIT Melbourne, which he completed in 2004 and his first solo exhibition at the Koorie Heritage Trust in Melbourne, was a sell-out.
The painting Summer Storm features the Merri Creek. It illustrates this iconic waterway in this area detailing the native vegetation and the intrusion of the power lines and skyscrapers. The painting also makes reference to Giorgione’s painting The Tempest paying tribute to the power of nature as the lightning bolt on the horizon seems to have carved out the creek. The site of this painting is from Yarra Bend Park where NMIT is located. It was all once part of City of Northcote. The new boundaries put all of the open space south of Heidelberg Road into the City of Yarra. So it is very near Darebin's border. The area is easy to walk to from nearby car parks. It shows the view of the city that we have from the City of Darebin.