Preston

Earthenware 'Remued' baluster-shaped vase, dark green / brown / blue

Public Description: 

This small plump baluster-shaped earthenware vase was produced in the ‘Remued’ ware range introduced by Premier Pottery, between 1934 and 1941/42 and is known to be part of the Early Series. It is characterised by its drip-glaze style, and in this case, colours of green, brown and blue have been used.

The ‘Remued’ ware in the City of Darebin art collection is significant as it represents fine examples from the nationally recognised twentieth century art pottery, Premier Pottery, that was based in the Victorian suburb of Preston from 1929-1956. Of great influence to the development of this range was the potter Margaret Kerr (1898-1958), who began introducing Australian imagery into pottery design.

'Remued' was one of Premier's most successful and defining ventures, a feat made particularly remarkable in that it survived the financial strains of the Great Depression. The work of Premier is significant in that although the firm was producing large quantities of commercial ware, they maintained a studio approach to their work, preferring handmade items as opposed to the use of plaster moulds.

Earthenware 'Remued' baluster-shaped vase, green / beige / brown / blue

Public Description: 

This tall baluster-shaped earthenware vase was produced in the ‘Remued’ ware range introduced by Premier Pottery, between 1934 and 1941/42 and is known to be part of the Early Series. It is characterised by its drip-glaze style, and in this case, colours of green, brown and blue have been used. It is decorated with series of circular ridged marks.

The ‘Remued’ ware in the City of Darebin art collection is significant as it represents fine examples from the nationally recognised twentieth century art pottery, Premier Pottery, that was based in the Victorian suburb of Preston from 1929-1956. Of great influence to the development of this range was the potter Margaret Kerr (1898-1958), who began introducing Australian imagery into pottery design.

'Remued' was one of Premier's most successful and defining ventures, a feat made particularly remarkable in that it survived the financial strains of the Great Depression. The work of Premier is significant in that although the firm was producing large quantities of commercial ware, they maintained a studio approach to their work, preferring handmade items as opposed to the use of plaster moulds.

Earthenware 'Remued' barrel-shaped vase, dark green / blue

Public Description: 

This plump barrel earthenware vase with a flaring collar was produced in the ‘Remued’ ware range introduced by Premier Pottery, between 1941 and 1955. Although perhaps not strictly 'Remued' many such pieces are nowadays amongst the most interesting and sought-after. This piece is characterised by decorations of gum leaves, gumnuts and branches applied by Margaret Kerr, an artist and industry potter who sometimes moonlighted at Premier Pottery.

The products of Premier Pottery Preston were not mass-produced. Everything was hand-made. In such an environment, inevitably pieces were produced that were not intended for the retail market but were family gifts, experiments, or simply giving rein to the potter's creative spirit.

The ‘Remued’ ware in the City of Darebin art collection is significant as it represents fine examples from the nationally recognised twentieth century art pottery, Premier Pottery, that was based in the Victorian suburb of Preston from 1929-1956. Of great influence to the development of this range was the potter Margaret Kerr (1898-1958), who began introducing Australian imagery into pottery design.

'Remued' was one of Premier's most successful and defining ventures, a feat made particularly remarkable in that it survived the financial strains of the Great Depression. The work of Premier is significant in that although the firm was producing large quantities of commercial ware, they maintained a studio approach to their work, preferring handmade items as opposed to the use of plaster moulds.

Earthenware 'Remued' barrel-shaped jardinaire, pale green / beige / pale blue

Public Description: 

This barrel-shaped jardinaire with a small collar lip was produced in the ‘Remued’ ware range introduced by Premier Pottery, between 1941 and 1955 and is known to be part of the Later Series. It is characterised by its drip-glaze style, and in this case, colours of pale green, pale brown and pale blue have been used.

The ‘Remued’ ware in the City of Darebin art collection is significant as it represents fine examples from the nationally recognised twentieth century art pottery, Premier Pottery, that was based in the Victorian suburb of Preston from 1929-1956. Of great influence to the development of this range was the potter Margaret Kerr (1898-1958), who began introducing Australian imagery into pottery design.

'Remued' was one of Premier's most successful and defining ventures, a feat made particularly remarkable in that it survived the financial strains of the Great Depression. The work of Premier is significant in that although the firm was producing large quantities of commercial ware, they maintained a studio approach to their work, preferring handmade items as opposed to the use of plaster moulds.

Earthenware 'Remued' cylinder vase, green / beige / blue

Public Description: 

This small slightly ribbed earthenware cylinder vase with a flared foot was produced in the ‘Remued’ ware range introduced by Premier Pottery, between 1941 and 1955 and is known to be part of the Later Series. It is characterised by its drip-glaze style, and in this case, colours of green, beige and blue have been used.

The 'Remued' ware in the City of Darebin art collection is significant as it represents fine examples from the nationally recognised twentieth century art pottery, Premier Pottery, that was based in the Victorian suburb of Preston from 1929-1956. Of great influence to the development of this range was the potter Margaret Kerr (1898-1958), who began introducing Australian imagery into pottery design.

'Remued' was one of Premier's most successful and defining ventures, a feat made particularly remarkable in that it survived the financial strains of the Great Depression. The work of Premier is significant in that although the firm was producing large quantities of commercial ware, they maintained a studio approach to their work, preferring handmade items as opposed to the use of plaster moulds.

Earthenware 'Remued' egg-cup vase, green / brown

Public Description: 

This small angular ‘egg-cup’ earthenware vase was produced in the ‘Remued’ ware range introduced by Premier Pottery, between 1941 and 1955 and is known to be part of the Later Series. It is characterised by its drip-glaze style, and in this case, colours of green and brown have been used.

The 'Remued' ware in the City of Darebin art collection is significant as it represents fine examples from the nationally recognised twentieth century art pottery, Premier Pottery, that was based in the Victorian suburb of Preston from 1929-1956. Of great influence to the development of this range was the potter Margaret Kerr (1898-1958), who began introducing Australian imagery into pottery design.

'Remued' was one of Premier's most successful and defining ventures, a feat made particularly remarkable in that it survived the financial strains of the Great Depression. The work of Premier is significant in that although the firm was producing large quantities of commercial ware, they maintained a studio approach to their work, preferring handmade items as opposed to the use of plaster moulds.

Earthenware 'Remued' baluster-shaped vase, green / brown / blue

Public Description: 

This small plump baluster-shaped earthenware vase was produced in the ‘Remued’ ware range introduced by Premier Pottery, between 1941 and 1955 and is known to be part of the Later Series. It is characterised by its drip-glaze style, and in this case, colours of green, brown and blue have been used.

The 'Remued' ware in the City of Darebin art collection is significant as it represents fine examples from the nationally recognised twentieth century art pottery, Premier Pottery, that was based in the Victorian suburb of Preston from 1929-1956. Of great influence to the development of this range was the potter Margaret Kerr (1898-1958), who began introducing Australian imagery into pottery design.

'Remued' was one of Premier's most successful and defining ventures, a feat made particularly remarkable in that it survived the financial strains of the Great Depression. The work of Premier is significant in that although the firm was producing large quantities of commercial ware, they maintained a studio approach to their work, preferring handmade items as opposed to the use of plaster moulds.

Earthenware 'Remued' globe-shaped bowl, brown / blue

Public Description: 

This small globe-shaped earthenware bowl with a round mouth and no flare was produced in the ‘Remued’ ware range introduced by Premier Pottery, between 1941 and 1955 and is known to be part of the Later Series. It is characterised by its drip-glaze style, and in this case, colours of brown and blue have been used.

The 'Remued' ware in the City of Darebin art collection is significant as it represents fine examples from the nationally recognised twentieth century art pottery, Premier Pottery, that was based in the Victorian suburb of Preston from 1929-1956. Of great influence to the development of this range was the potter Margaret Kerr (1898-1958), who began introducing Australian imagery into pottery design.

'Remued' was one of Premier's most successful and defining ventures, a feat made particularly remarkable in that it survived the financial strains of the Great Depression. The work of Premier is significant in that although the firm was producing large quantities of commercial ware, they maintained a studio approach to their work, preferring handmade items as opposed to the use of plaster moulds.

Earthenware 'Remued' wall pocket vase, green / brown

Public Description: 

This wall pocket earthenware vase in a flattened conical shape was produced in the ‘Remued’ ware range introduced by Premier Pottery, between 1941 and 1955 and is known to be part of the Later Series. It is characterised by its drip-glaze style, and in this case, colours of green and brown have been used.

The ‘Remued’ ware in the City of Darebin art collection is significant as it represents fine examples from the nationally recognised twentieth century art pottery, Premier Pottery, that was based in the Victorian suburb of Preston from 1929-1956. Of great influence to the development of this range was the potter Margaret Kerr (1898-1958), who began introducing Australian imagery into pottery design.

'Remued' was one of Premier's most successful and defining ventures, a feat made particularly remarkable in that it survived the financial strains of the Great Depression. The work of Premier is significant in that although the firm was producing large quantities of commercial ware, they maintained a studio approach to their work, preferring handmade items as opposed to the use of plaster moulds.

A Brief History of Preston

Public Description: 

In A Brief History of Preston, Warren Lane powerfully distills two centuries of European settlement in Preston, a northern suburb of Melbourne located in the City of Darebin. During the colonisation of this area in the 1800s, the traditional lands of the Wurundjeri-willam people were overtaken with farming and various other pastoral activities eventually leading to the industrial and commercial developments of the present day.

An Indigenous man stands erect in the foreground of the painting, staring straight ahead as if looking into the future or perhaps it is the past. Behind him are two potent symbols of “progress” represented by Holstein Friesian dairy cattle and Northland shopping centre (c 2010), looming cavernous and omnipresent over a vast, empty car park temporarily devoid of consumer activity.

As a painter working predominantly in oils, Lane creates intricate and familiar scenes linked by themes of the built environment, politics, human rights and social change. Lane’s astute illustrative portraits and urban landscapes are skilfully structured compositions that employ a high degree of realism laced with an undercurrent of satire. His work is both thought provoking and humorous, inviting the viewer to contemplate the subject matter without pretension or distraction.

A Brief History of Preston © Warren Lane